Showing posts with label morals. Show all posts
Showing posts with label morals. Show all posts

7.7.15

The transmutation of the human spirit, by Friedrich Nietzsche

From Thus Spake Zarathustra, "The Three Metamorphoses"




Three metamorphoses of the spirit do I designate to you: how the spirit
becometh a camel, the camel a lion, and the lion at last a child.

Many heavy things are there for the spirit, the strong load-bearing
spirit in which reverence dwelleth: for the heavy and the heaviest
longeth its strength.

What is heavy? so asketh the load-bearing spirit; then kneeleth it down
like the camel, and wanteth to be well laden.

What is the heaviest thing, ye heroes? asketh the load-bearing spirit,
that I may take it upon me and rejoice in my strength.

Is it not this: To humiliate oneself in order to mortify one's pride? To
exhibit one's folly in order to mock at one's wisdom?

Or is it this: To desert our cause when it celebrateth its triumph? To
ascend high mountains to tempt the tempter?

Or is it this: To feed on the acorns and grass of knowledge, and for the
sake of truth to suffer hunger of soul?

Or is it this: To be sick and dismiss comforters, and make friends of
the deaf, who never hear thy requests?

Or is it this: To go into foul water when it is the water of truth, and
not disclaim cold frogs and hot toads?

Or is it this: To love those who despise us, and give one's hand to the
phantom when it is going to frighten us?

All these heaviest things the load-bearing spirit taketh upon itself:
and like the camel, which, when laden, hasteneth into the wilderness, so
hasteneth the spirit into its wilderness.

But in the loneliest wilderness happeneth the second metamorphosis: here
the spirit becometh a lion; freedom will it capture, and lordship in its
own wilderness.

Its last Lord it here seeketh: hostile will it be to him, and to its
last God; for victory will it struggle with the great dragon.

What is the great dragon which the spirit is no longer inclined to call
Lord and God? "Thou-shalt," is the great dragon called. But the spirit
of the lion saith, "I will."

"Thou-shalt," lieth in its path, sparkling with gold--a scale-covered
beast; and on every scale glittereth golden, "Thou shalt!"

The values of a thousand years glitter on those scales, and
thus speaketh the mightiest of all dragons: "All the values of
things--glitter on me.

All values have already been created, and all created values--do I
represent. Verily, there shall be no 'I will' any more. Thus speaketh
the dragon.

My brethren, wherefore is there need of the lion in the spirit? Why
sufficeth not the beast of burden, which renounceth and is reverent?

To create new values--that, even the lion cannot yet accomplish: but to
create itself freedom for new creating--that can the might of the lion
do.

To create itself freedom, and give a holy Nay even unto duty: for that,
my brethren, there is need of the lion.

To assume the right to new values--that is the most formidable
assumption for a load-bearing and reverent spirit. Verily, unto such a
spirit it is preying, and the work of a beast of prey.

As its holiest, it once loved "Thou-shalt": now is it forced to find
illusion and arbitrariness even in the holiest things, that it may
capture freedom from its love: the lion is needed for this capture.

But tell me, my brethren, what the child can do, which even the lion
could not do? Why hath the preying lion still to become a child?

Innocence is the child, and forgetfulness, a new beginning, a game, a
self-rolling wheel, a first movement, a holy Yea.

Aye, for the game of creating, my brethren, there is needed a holy Yea
unto life: ITS OWN will, willeth now the spirit; HIS OWN world winneth
the world's outcast.

Three metamorphoses of the spirit have I designated to you: how the
spirit became a camel, the camel a lion, and the lion at last a child.--

Thus spake Zarathustra. And at that time he abode in the town which is
called The Pied Cow.

------------
If you enjoyed this post, you may also like:

23.6.15

SONNET 94, by William Shakespeare


They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,...
Unmoved, cold, and to temptation slow,
They rightly do inherit heaven's graces
And husband nature's riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer's flower is to the summer sweet,
Though to itself it only live and die,
But if that flower with base infection meet,
The basest weed outbraves his dignity:
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.



30.5.15

Be kind, by Charles Bukowski




we are always asked
to understand the other person's
viewpoint
no matter how
out-dated
foolish or
obnoxious.

one is asked
to view
their total error
their life-waste
with
kindliness,
especially if they are
aged.

but age is the total of
our doing.
they have aged
badly
because they have
lived
out of focus,
they have refused to
see.

not their fault?

whose fault?
mine?

I am asked to hide
my viewpoint
from them
for fear of their
fear.

age is no crime

but the shame
of a deliberately
wasted
life

among so many
deliberately
wasted
lives

is.

24.5.15

now does our world descend, by e.e. cummings



A young Edward Estlin Cummings poses for a photograph prior to his participation in World War I
Edward Estlin Cummings displayed
an innocence in his eyes that he would
never recover following his experience
as an ambulance driver during the
First World War, even if this hopefulness
was replaced mostly with an intense will to—
and a joy for—life in later photographs.




now does our world descend
the path to nothingness
(cruel now cancels kind:
friends turn to enemies)
therefore lament,my dream
and don a doer's doom

create now is contrive;
imagined,merely know
(freedom:what makes a slave)
therefore,my life,lie down
and more by most endure
all that you never were

hide,poor dishonoured mind
who thought yourself so wise;
and much could understand
concerning no and yes:
if they've become the same
it's time you unbecame

where climbing was and bright
is darkness and to fall
(now wrong's the only right
since brave are cowards all)
therefore despair,my heart
and die into the dirt

but from this endless end
of briefer each our bliss -
where seeing eyes go blind
(where lips forget to kiss)
where everything's nothing
- arise,my soul;and sing




--------
For an informative background of the life, style, and historical context encasing e.e. cummings' exceptional body of work, please read the article immediately after the following poem—






You may also enjoy these other poems by Edward Estlin Cummings:



1.4.15

Death be not proud, by John Donne


Death be not proud, though some have called thee
Mighty and dreadfull, for, thou art not soe,
For, those, whom thou think'st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill mee.
From rest and sleepe, which but thy pictures bee,
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and soules deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell,
And poppie, or charmes can make us sleepe as well,
And better then thy stroake; why swell'st thou then?
One short sleepe past, wee wake eternally,
And death shall be no more; death, thou shalt die.

29.3.15

O Me! O Life!, by Walt Whitman


Old, bearded Walt Whitman having written the poem, O life! O me!, published in Leaves of Grass


O me! O life! of the questions of these recurring,
Of the endless trains of the faithless, of cities fill’d with the foolish,
Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?)
Of eyes that vainly crave the light, of the objects mean, of the struggle ever renew’d,
Of the poor results of all, of the plodding and sordid crowds I see around me,
Of the empty and useless years of the rest, with the rest me intertwined,
The question, O me! so sad, recurring—What good amid these, O me, O life?

                                      Answer.
That you are here—that life exists and identity,
That the powerful play goes on, and you may contribute a verse.





Published in Leaves of Grass, Final "Deathbed Edition", 1892.


Featured Original:

How You Know What You Know

In a now classic paper, Blakemore and Cooper (1970) showed that if a newborn cat is deprived of experiences with horizontal lines (i.e., ...